Shadow of the Plum

Carol Lem

About the Author

Gary Soto: "Carol displays an affection for family, poets, students, and her dead lover that is vivid, honest, and memorable. She has created a book whose spirit this writer can borrow from, learn from. The music of her shakuhachi - the wind instrument she pitches in private - resounds on each page. When Carol Lem plays that ancient flute, we have no choice but to listen, entranced."

For the complete review of Shadow of the Plum by Gary Soto, click on this link

For a review of Shadow of the Plum by Ms. Joyce Metzger, click on this link


Billy Collins: "'How do I make my own life interesting
and compelling to strangers?' is a question
that should face every autobiographical poet.
Carol Lem has managed to find an answer which is
made up of her sharp powers of observation
and her awareness of the poetic traditions
that inform her poems."

Shadow of the Plum

In the morning my father
would call in his list of horses
along with restaurant orders,
put on a clean white shirt, and
take his few deliberate steps
to the dresser on which he placed
like a surgeon - comb, brush,
key chain, diamond ring, the
Hamilton watch from his sister.

At the sink, washing rice
my mother would listen
to race results before he came
home from the track, and know
to turn away as he wandered
into his room to sit in the dark.
She would not tell him
of her small winnings stashed
in drawers among the Chinese gold
and jade jewelry he substituted
for the kiss and the embrace.
Nor would she tell him
about the dresses and makeup
she bought to play weekend hostess
at Lem's Cafe. He would not know
about her flirting with the occasional
actor cruising Little Tokyo, while he
stayed in the kitchen yelling at the staff,
more comfortable on an orange crate
with his Lucky Strikes than bantering
with Keye Luke over a starched
pink tablecloth.
He would not know about the man
she used to dance with until
three o'clock in the morning,
the one she really loved all those years
ago but was gone by first light.
And she'd wake again by the railroad
tracks in Chinatown until her future
husband crossed her dream.
He looked sharp with his fedora
and leg propped on the running board
of his new Ford. And she, one of
D.W. Griffith's Broken Blossoms,
saw her way out.
Who could say then
it would not be a trail of flowers
but stale smoke, the crash of poker chips
and mahjong tiles, a child
picking up losing tickets at Santa Anita,
Hollywood Park, Del Mar, or waiting
for them in Vegas lobbies?

I would learn silence early
under the backyard tree
naming each fallen plum
for something not said, something
desired. I would paint landscapes
with paths leading off to dark shadows
while listening to them bicker
over light bulbs and soup brands.

At night, they retreated to their rooms
to count the day's receipts
or watch Tyrone Power make love
to Alice Faye.
When the stars lit the sky
I went outside to look for patterns
and saw how small the house was,
how quiet, in this vast stillness.


Cedar Hill Publications
Ordering Information
Peddler Press
809 Skyland Drive
Sierra Madre, CA 91024
$15.00


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