I'm Dying, But I'm Not Sick: The Final Journey

Richard D. Lem

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Foreword

We have an unprecedented degree of freedom in choosing what we want to learn and how we want to live. However, the opportunity comes at a time of widespread uncertainty as to how we should interpret life and which way of knowing or living best. Should we follow the life validated by reason alone or pursue the path guided by our inner experiences as well? In this book Richard Lem, a talented retired academic counselor and a gifted artist, shares his insights gained from experiences which he calls 'pop experiences'. Although throughout his life, he attempted to discern what these 'pop experiences' meant, it took an apparently fatal illness to internalize the relevance of these experiences. Often tainted with misconceptions, these 'pop experiences', Richard emphasizes, remain by the sideways as we pass through life's many passages. It is only through self-examination and self-evaluation that one recognizes the connection between these insights and the purpose of life.

One of the strengths of this book is the absence of generalizations. For example, instead of listing and labeling various characteristics of these intuitive flashes, he describes his inner encounters, highlights his own reactions, and ultimately shares his wisdom. Also notable is the near absence of value judgment of other forms and avenues of experiences. Readers are left to do their own judging. One conviction does emerge. We are partners in a process called life, which is continuous and eternal. Those who read this book will have a rare opportunity to reevaluate their own experiences in the light of Mr. Lem's insights.

Lina Gupta, Ph.D.
Glendale College
September 1, 1999


From

I'm Dying, But I'm Not Sick

As I reflect on my life and objectively look at my current situation, I look back on a conversation that took place nearly 41 years ago. The conversation was between the impresario of the Balderas Bullring in Juarez, Mexico, and two Americans from across the border in Texas.

The place was La Sevillana, a small cafe across the street from the bullring. I was the guest of the impresario. As we ate huge steaks and sipped red wine, the conversation switched from the art of the bullfight to the cruelty. One American remarked that cruelty negated the art. I remember the look on Senor Gomez's face. He had heard it before, taking a long drag on his cigar before replying slowly in perfect English. "Unlike the cattle in slaughterhouses, the fighting bull thinks he's winning right up to the end."

I'd like to think I'm winning.


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I'm Dying, But I'm Not Sick: The Final Journey
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