Family Business

Carol Lem

When it was Ah Wings Café
on Cahuenga Blvd. in Hollywood,
they'd come to study their lines
in the noirish booths by the kitchen
where steam and cigarette smoke
merged with the shadowy faces
of Newman, Brando, Mitchum,
who took breaks by walking
to the Vine Street newsstand.
For years, my mother kept
Raymond Burr's five dollar i.o.u,
hoping he'd remember, before
television made him an icon.

When the business moved
to Little Tokyo in the 50's
and became Lem's Café,
Keye Luke and James Wong Howe
would enter through the back door
asking for their hom yu, as my father
sipped the egg flower soup
and nodded their way
toward the pink table cloths
reserved for special guests.

It was almost forty years
since my mother, an extra
in D.W. Griffith's Broken Blossoms,
looked out at the damp pavements
of Limehouse. But, still, the gas lamps
rising through the mist and fog
of life glowed in her eyes
while she flirted with actors and
directors slumming J town.

Hosting big parties
during Nisei Week was not the role
she and other Chinese haunted studios for.
But while the men became Japanese
stereotypes in the 40's war flicks,
she was working on a marriage
with the man who got her away
from the railroad tracks on Alameda
only to fit her onto a tract
of property his father owned.

So when the old man decided to turn
an abandoned movie theater into a restaurant
and cast my father as cook, Mother
found her audience in a reel that never
stopped running, Family Business.

Home Page
Peddler Press
Poetry Page
Copyright © 2005 Carol Lem